I think of the habitat not as a succession of rooms but rather as a fluid articulation of places and spaces. It is in the United States, as a child, that I developed an interest for the perception of space.
In London, Soho, I am invited to intervene in a building undergoing renovation.
In a mansard-roofed room completely lined in green, I work on an installation/wall-drawing which transforms the perspectives and calms the volumes of the space. An incisive graphism covers the wall surfaces and creates a dialogue between the green and the cream color of the paper peeled off. The graphite and charcoals masses - frantic traces of the body in action - the door frames leaning on the walls and light boxes plates placed on the floor, give an exclusive circulation to the room and re-balance the visual tensions present.

Apprehending on its whole, container as much as content, the present space is comparable to an organism, a living module, a cell.

On the wall, two series of drawings resume the dynamics of the room. The small formats are a variation around a folded, unfolded and re-folded volume. The large formats preserve the textures, strikes and shapes that will disappear once the building is renovated.